Happy 2013 as I saunter back to my much ignored blog, ignored as not much has been happening with my art. I have however moved state (again) and have been setting up a new kind of life after the death of my mother and now find myself in the Byron Bay hinterland. The absence of art has mainly been because I don't have a decent studio/working space but really that is no excuse, people have made more with much less space than I. But I find if I have a good work space that allows my mind to be open and expansive then it generates an equal kind of output. So hopefully 2013 will bring about, among other things, a great big open inspiring work space and hopefully a bit more energy as I work through my grief.
Meanwhile Kirra Jamison and I caught up while she was in Byron Bay and she was kind enough to invite me to participate in her food blog Keke. So check it out for a stalk into my dwelling in the Byron Bay Hills or for a recipe or two.
Meanwhile 2013 promises some art as I have shows in Melbourne, Sydney and Tamworth Regional Gallery - more on that stuff soon.
Wednesday, 16 January 2013
Thursday, 13 September 2012
Saturday, 11 August 2012
Melbourne Art Fair 2012
A big thank you to Melissa Loughnan and Justin Hinder from Utopian Slumps for the amazing support at Melbourne Art Fair. Thank you to Mark Tuckey for the loan of the fabulous furniture. Thank you to Tai Snaith and Ace Wagstaff for the flattering review on Smart Arts (to listen its on 2 August 2012 around 1:36:00)
Monday, 30 July 2012
The Blackmail Amber Wallis Studio Visit
John Deer photographed my work for Melbourne Art Fair and took some snaps in the process. You can see select pics at The Blackmail and a more extensive bunch at his site Cleverdeer
Thursday, 26 July 2012
Melbourne Art Fair 2012 Amber Wallis New Paintings
GROUND FLOOR, STAND C39
VERNISSAGE WEDNESDAY 1 AUGUST 2012
ART FAIR THURSDAY 2 AUGUST UNTIL SUNDAY 5 AUGUST 2012
Utopian Slumps is pleased to announce Amber Wallis as the gallery’s representative artist at the 2012 Melbourne Art Fair.
Exploring the very act of painting through a renewed sense of colour, form and technique, Wallis’ latest works delve further into her abstracted representations of the landscape, infused with human reference. Through the melancholy and grief of the recent loss of her mother there is both lightness and darkness in these new paintings: ominous grey clouds, black rain and white ghost figures are offset by vibrant blocks of jade green, electric blue and peach. The most recently executed paintings, however, feature lush tropical palms and orange and pink horizons, belying an omnipresent sense of optimism and hope for the future.
Wallis graduated from a Bachelor of Arts in Visual Photomedia at the Canberra School of Art, ACT and participated in an exchange program with Emily Carr Institute of Art and Design in Canada in 2002. She completed her Master of Visual Arts at the Victorian College of the Arts, Melbourne in 2008 and was the winner of the tenth Brett Whiteley Travelling Art Scholarship in 2008. During her scholarship she worked from studios at ISCP, New York, Redbird Studios, Montreal and completed a residency at the Cité Internationale des Arts, Paris. Wallis was resident artist at the Canberra School of Art in 2009. Solo exhibitions include Dark Gully Sex Drawings, Utopian Slumps, Melbourne, 2011; Mountains Full of Sky/Salty Lines, Edwina Corlette Gallery, Brisbane, 2011; I Fuck Mountains, Utopian Slumps, Melbourne, 2010; Dark Gully/Psychic War, Chalk Horse, Sydney, 2010; and Circle of Eagles, Utopian Slumps, Melbourne, 2009. Selected group exhibitions include The New Arcadia, curated by Kezia Geddes, Lismore Regional Gallery, 2011; Territorial Pissings, Utopian Slumps, 2010; The Shilo Project, Ian Potter Museum of Art, Melbourne, 2009; Brett Whiteley Travelling Arts Scholarship, Brett Whiteley Studio AGNSW, Sydney, 2008; Thank God We Died Together, TCB art inc., Melbourne, 2008; Robert Jacks Drawing Prize, Bendigo Art Gallery, Victoria, 2008; and Swans and Ammo, with Lizzie Hall, Utopian Slumps, Melbourne, 2007. Wallis' work is held in the Artbank and Arthur Roe collections, as well as various private collections in Australia and overseas. She was the cover artist and subject of a major feature article in Australian Art Collector in 2011 and is featured in the current Melbourne Art Fair edition of Artist Profile magazine.
Amber Wallis’ solo presentation at Melbourne Art Fair will take place from 1 to 5 August 2012. For further information, or for a preview catalogue, please contact Melissa Loughnan on +61 3 9077 9918 or melissa@utopianslumps.com.
Image: Amber Wallis, Buddhist Orange/Banana Diptych, 2012, oil on cotton, framed, 120 x 180 cm each panel, 120 x 360cm overall
UTOPIAN SLUMPS
GROUND FLOOR, 33 GUILDFORD LANE MELBOURNE VICTORIA AUSTRALIA 3000 +61 3 9077 9918 WWW.UTOPIANSLUMPS.COM |
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Friday, 1 June 2012
Saturday, 28 April 2012
Thursday, 22 March 2012
Wednesday, 14 March 2012
prompt protest and instant retract!
i got a beautiful email today, one day after yesterdays post from a beautiful friend Heidi Lefebvre who said this:
'I hope you take care and I love to see your work, it is really inspirational to me, living in a little town away away from art. So when yr ready to show work- know that you have people who your art helps- me and heaps of others I am certain.'
instant retract on refraining from posting - for you Heidi!
and one of Heidi's amazing drawings:
'I hope you take care and I love to see your work, it is really inspirational to me, living in a little town away away from art. So when yr ready to show work- know that you have people who your art helps- me and heaps of others I am certain.'
instant retract on refraining from posting - for you Heidi!
and one of Heidi's amazing drawings:
Tuesday, 13 March 2012
lapse. update.
hi all. lapse in communing with the web is in place. but a general update is in order: i will be having a quiet art year after the death of my mother. rest in peace mumma! i am back in melbourne, have a new studio at Paradise Hills and will be working towards Melbourne Art Fair... I think I will keep work under wraps and post only when overwhelmed with desire. enjoy the doing rather than talking about the doing. take it easy.
Friday, 6 January 2012
Thursday, 15 December 2011
Dark Gully/Sex Drawings
Belated images from my recent solo Dark Gully/Sex Drawings at Utopian Slumps. Thanks to Thomas Jeppe for the pics.
Tuesday, 29 November 2011
Saturday, 5 November 2011
Dark Gully/Sex Drawings
OPENING THURSDAY 10 NOVEMBER 6 – 8PM
EXHIBITION FRI 11 NOVEMBER UNTIL 3 DECEMBER 2011
AT UTOPIAN SLUMPS
GROUND FLOOR, 33 GUILDFORD LANE MELBOURNE
WWW.UTOPIANSLUMPS.COM
HOURS: WED – SAT 12 – 6PM
OTHER TIMES BY APPOINTMENT: +61 3 9077 9918
Utopian Slumps is pleased to announce the opening of Dark Gully/Sex Drawings from Amber Wallis on Thursday 10 November 2011.
Dark Gully/Sex Drawings is a solo exhibition focusing on Wallis’ experiences of place and sexual thought. Following on from her exhibition I Fuck Mountains in 2010, she continues to explore the merging of form and metaphor; landscape and sex; and atmosphere and mortality with this new collection of paintings and drawings.
The paintings depict the terrain of ‘Dark Gully’ — a hirsute bend in the road leading to Palm Beach, Sydney — and its vistas. In a furtherance of earlier works, Wallis captures the line, weather and movement of the landscape in which she lives, and continues to transpose elements of her tangible surroundings with those of an equally-precipitous inner realm.
Wallis’ contemporary landscapes are tightly rendered yet simultaneously loose in composition. They bear the mark of an original hand whilst paying tribute to the traditional language of painting. Her rich colour palette, playful lines and uninhibited form are inspired by the mid-20th century Abstract Expressionist movement and its underpinning ethos: that the canvas should serve the artist as a recipient of an event rather than simply the substrate on which to fix a picture.
The sex drawings are gentler, layered materially with collage and metapsychologically with sexual implication. The inquiring lines that traverse the drawings reference a landscape that merges into the undulations of the body as a sort of transcendent fecundity.
Also present is a collaborative work with close friend and fellow painter William Mackinnon. This sees Mackinnon’s landscape prints of the hills and sea at Port Fairy paired congruously with Wallis’ collage and delicate line work.
Dark Gully/Sex Drawings is a generous and lyrical representation of the artist’s ongoing residence in a dynamic, hedonistic and oft tumultuous niche between real and imagined worlds.
Wallis is currently on the cover of Australian Art Collector, the subject of an eight page feature written by Carrie Miller entitled ‘Psychoactive Painting'. She completed a Bachelor of Arts in Visual Photomedia at the Canberra School of Art, ACT and participated in an exchange program with Emily Carr Institute of Art and Design in Canada in 2002. She completed her Master of Visual Arts at the Victorian College of the Arts, Melbourne in 2008 and was the winner of the tenth Brett Whiteley Travelling Art Scholarship in 2008. During her scholarship she worked from studios at ISCP, New York, Redbird Studios, Montreal and completed a residency at the Cité Internationale des Arts, Paris. Wallis was also resident artist at the Canberra School of Art in 2009. Solo exhibitions include Mountains Full of Sky/Salty Lines, Edwina Corlette Gallery, Brisbane, 2011; I Fuck Mountains, Utopian Slumps, 2010; Dark Gully/Psychic War, Chalk Horse, Sydney, 2010; and Circle of Eagles, Utopian Slumps, 2009. Selected group exhibitions include Need to Seem to Glimpse, C3, 2011; The New Arcadia, Lismore Regional Gallery, 2011; Worm Mountain, C3, 2010; Territorial Pissings, Utopian Slumps, 2010; The Shilo Project, Ian Potter Museum of Art, Melbourne, 2009; Chalk Reindeer, Chalk Horse, Sydney, 2009; South, Monster Children Gallery, Sydney, 2009; Brett Whiteley Travelling Arts Scholarship, Brett Whiteley Studio AGNSW, Sydney, 2008; Thank God We Died Together, TCB art inc., Melbourne, 2008; Autumn 2008, Moving Galleries, Melbourne, 2008; Robert Jacks Drawing Prize, Bendigo Art Gallery, Victoria, 2008; and Swans and Ammo, with Lizzie Hall, Utopian Slumps, Melbourne, 2007. Wallis currently lives and works in Palm Beach, NSW.
Dark Gully/Sex Drawings from Amber Wallis will take place at Utopian Slumps, Ground Floor, 33 Guildford Lane Melbourne, from 10 November to 3 December 2011. For further information please contact Melissa Loughnan on +61 3 9077 9918 or melissa@utopianslumps.com.
Image: Amber Wallis, Dark Gully Rear View Bat Lines, 2011, oil on linen, 1220 x 1520mm.
EXHIBITION FRI 11 NOVEMBER UNTIL 3 DECEMBER 2011
AT UTOPIAN SLUMPS
GROUND FLOOR, 33 GUILDFORD LANE MELBOURNE
WWW.UTOPIANSLUMPS.COM
HOURS: WED – SAT 12 – 6PM
OTHER TIMES BY APPOINTMENT: +61 3 9077 9918
Utopian Slumps is pleased to announce the opening of Dark Gully/Sex Drawings from Amber Wallis on Thursday 10 November 2011.
Dark Gully/Sex Drawings is a solo exhibition focusing on Wallis’ experiences of place and sexual thought. Following on from her exhibition I Fuck Mountains in 2010, she continues to explore the merging of form and metaphor; landscape and sex; and atmosphere and mortality with this new collection of paintings and drawings.
The paintings depict the terrain of ‘Dark Gully’ — a hirsute bend in the road leading to Palm Beach, Sydney — and its vistas. In a furtherance of earlier works, Wallis captures the line, weather and movement of the landscape in which she lives, and continues to transpose elements of her tangible surroundings with those of an equally-precipitous inner realm.
Wallis’ contemporary landscapes are tightly rendered yet simultaneously loose in composition. They bear the mark of an original hand whilst paying tribute to the traditional language of painting. Her rich colour palette, playful lines and uninhibited form are inspired by the mid-20th century Abstract Expressionist movement and its underpinning ethos: that the canvas should serve the artist as a recipient of an event rather than simply the substrate on which to fix a picture.
The sex drawings are gentler, layered materially with collage and metapsychologically with sexual implication. The inquiring lines that traverse the drawings reference a landscape that merges into the undulations of the body as a sort of transcendent fecundity.
Also present is a collaborative work with close friend and fellow painter William Mackinnon. This sees Mackinnon’s landscape prints of the hills and sea at Port Fairy paired congruously with Wallis’ collage and delicate line work.
Dark Gully/Sex Drawings is a generous and lyrical representation of the artist’s ongoing residence in a dynamic, hedonistic and oft tumultuous niche between real and imagined worlds.
Wallis is currently on the cover of Australian Art Collector, the subject of an eight page feature written by Carrie Miller entitled ‘Psychoactive Painting'. She completed a Bachelor of Arts in Visual Photomedia at the Canberra School of Art, ACT and participated in an exchange program with Emily Carr Institute of Art and Design in Canada in 2002. She completed her Master of Visual Arts at the Victorian College of the Arts, Melbourne in 2008 and was the winner of the tenth Brett Whiteley Travelling Art Scholarship in 2008. During her scholarship she worked from studios at ISCP, New York, Redbird Studios, Montreal and completed a residency at the Cité Internationale des Arts, Paris. Wallis was also resident artist at the Canberra School of Art in 2009. Solo exhibitions include Mountains Full of Sky/Salty Lines, Edwina Corlette Gallery, Brisbane, 2011; I Fuck Mountains, Utopian Slumps, 2010; Dark Gully/Psychic War, Chalk Horse, Sydney, 2010; and Circle of Eagles, Utopian Slumps, 2009. Selected group exhibitions include Need to Seem to Glimpse, C3, 2011; The New Arcadia, Lismore Regional Gallery, 2011; Worm Mountain, C3, 2010; Territorial Pissings, Utopian Slumps, 2010; The Shilo Project, Ian Potter Museum of Art, Melbourne, 2009; Chalk Reindeer, Chalk Horse, Sydney, 2009; South, Monster Children Gallery, Sydney, 2009; Brett Whiteley Travelling Arts Scholarship, Brett Whiteley Studio AGNSW, Sydney, 2008; Thank God We Died Together, TCB art inc., Melbourne, 2008; Autumn 2008, Moving Galleries, Melbourne, 2008; Robert Jacks Drawing Prize, Bendigo Art Gallery, Victoria, 2008; and Swans and Ammo, with Lizzie Hall, Utopian Slumps, Melbourne, 2007. Wallis currently lives and works in Palm Beach, NSW.
Dark Gully/Sex Drawings from Amber Wallis will take place at Utopian Slumps, Ground Floor, 33 Guildford Lane Melbourne, from 10 November to 3 December 2011. For further information please contact Melissa Loughnan on +61 3 9077 9918 or melissa@utopianslumps.com.
Image: Amber Wallis, Dark Gully Rear View Bat Lines, 2011, oil on linen, 1220 x 1520mm.
Monday, 31 October 2011
last strokes.
lucky last painting.
'dark gully/sex drawings' opens at utopian slumps next thursday 10 november 2011 - full moon - more details soon.
'dark gully/sex drawings' opens at utopian slumps next thursday 10 november 2011 - full moon - more details soon.
Wednesday, 28 September 2011
Friday, 23 September 2011
Tuesday, 13 September 2011
Utopian Slumps: The Collingwood Years. Book Launch.
BOOK LAUNCH SATURDAY 17 SEPTEMBER 4 – 6PM
AT UTOPIAN SLUMPS
GROUND FLOOR, 33 GUILDFORD LANE MELBOURNE
WWW.UTOPIANSLUMPS.COM
+61 3 9077 9918
Utopian Slumps is pleased to announce the launch of Utopian Slumps: The Collingwood Years, a retrospective book documenting the exhibitions and events that took place during the gallery's non-profit years from 2007 to 2009.
Designed by Chase & Galley, the book includes artist pages from Amber Wallis, Brendan Huntley, The Changes, Damp, Dan Moynihan, Jake Walker, Mark Rodda, Ry Haskings and Tristan Ceddia. The visual content is interspersed with texts from curators and arts writers including an interview between Hannah Mathews and Melissa Loughnan, a short story from Amanda Maxwell, and essays from Amelia Douglas, Andrew Gaynor & Emma Langride, Helen Hughes, Rebecca Coates, Phip Murray, Rosemary Forde, Dunja Rmandic & Nella Thermelios and Meredith Turnbull.
The book is presently available for purchase from Utopian Slumps and online via utopianslumps.bigcartel.com for $45.
Utopian Slumps: The Collingwood Years will launch at Utopian Slumps, Ground Floor, 33 Guildford Lane Melbourne, together with V.A. curated by Dylan Martorell on Saturday 17 September 2011. For further information please contact Melissa Loughnan on +61 3 9077 9918 or melissa@utopianslumps.com.
Editorial team: Melissa Loughnan, Helen Hughes, Thomas Jeppe & Chris Barton
Design: Chase & Galley
Publisher: Utopian Slumps
224 pages, 25 x 17.5 x 2.5cm, colour, hard cover cloth bound
Edition of 2000
AT UTOPIAN SLUMPS
GROUND FLOOR, 33 GUILDFORD LANE MELBOURNE
WWW.UTOPIANSLUMPS.COM
+61 3 9077 9918
Utopian Slumps is pleased to announce the launch of Utopian Slumps: The Collingwood Years, a retrospective book documenting the exhibitions and events that took place during the gallery's non-profit years from 2007 to 2009.
Designed by Chase & Galley, the book includes artist pages from Amber Wallis, Brendan Huntley, The Changes, Damp, Dan Moynihan, Jake Walker, Mark Rodda, Ry Haskings and Tristan Ceddia. The visual content is interspersed with texts from curators and arts writers including an interview between Hannah Mathews and Melissa Loughnan, a short story from Amanda Maxwell, and essays from Amelia Douglas, Andrew Gaynor & Emma Langride, Helen Hughes, Rebecca Coates, Phip Murray, Rosemary Forde, Dunja Rmandic & Nella Thermelios and Meredith Turnbull.
The book is presently available for purchase from Utopian Slumps and online via utopianslumps.bigcartel.com for $45.
Utopian Slumps: The Collingwood Years will launch at Utopian Slumps, Ground Floor, 33 Guildford Lane Melbourne, together with V.A. curated by Dylan Martorell on Saturday 17 September 2011. For further information please contact Melissa Loughnan on +61 3 9077 9918 or melissa@utopianslumps.com.
Editorial team: Melissa Loughnan, Helen Hughes, Thomas Jeppe & Chris Barton
Design: Chase & Galley
Publisher: Utopian Slumps
224 pages, 25 x 17.5 x 2.5cm, colour, hard cover cloth bound
Edition of 2000
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